Tress is more

 


Either Monica Vitti had the best hair in movies or she employed a peerless wigmaker.  I Google. 


Is there anyone better than Miss Vitti to make us reconsider the rules of modern beach hair? Trekking around the shores of the Aeolian Islands in Michelangelo Antonioni’s 1960 film masterpiece L’Avventura, she eschews air-dried waves for a windswept, bouncy blonde bob as relentlessly voluptuous as her pillowy lips. Throughout the rest of the decade—as Antonioni’s lover and muse—the hair remained glamorous, the mystery firmly intact. She’s a study in self-possessed bombshell sensuality that somehow feels fresh again in its willful femininity, its unself-conscious acknowledgement of having made the effort. Hot rollers, a hairbrush, and liquid liner for the beach? A million times yes.

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